{"id":14648,"date":"2023-01-25T19:49:46","date_gmt":"2023-01-26T00:49:46","guid":{"rendered":"https:\/\/nuestrostories.com\/?p=14648"},"modified":"2024-01-22T10:53:48","modified_gmt":"2024-01-22T15:53:48","slug":"detras-de-baile-en-tehuantepec-de-diego-rivera-un-recordatorio-de-que-el-arte-latinoamericano-es-extremadamente-valioso","status":"publish","type":"post","link":"https:\/\/nuestrostories.com\/es\/2023\/01\/detras-de-baile-en-tehuantepec-de-diego-rivera-un-recordatorio-de-que-el-arte-latinoamericano-es-extremadamente-valioso\/","title":{"rendered":"Detr\u00e1s de \u00abBaile en Tehuantepec\u00bb de Diego Rivera: un recordatorio de que el arte latinoamericano es extremadamente valioso"},"content":{"rendered":"\n

Cr\u00e9dito: Nuestro Stories.<\/em><\/p>\n\n\n\n

El artista y muralista mexicano Diego Rivera pint\u00f3 el Baile en Tehuantepec <\/em>original en 1928 como parte de su misi\u00f3n de \u201creproducir las im\u00e1genes puras y b\u00e1sicas de mi tierra<\/a>\u201d. Es una de sus obras m\u00e1s conocidas.<\/p>\n\n\n\n

La pintura, el lienzo m\u00e1s grande que Rivera cre\u00f3 en su vida, muestra a bailarines oaxaque\u00f1os interpretando la danza folcl\u00f3rica \u201czandunga\u201d, un vals tradicional mexicano, bajo un \u00e1rbol de pl\u00e1tano. Mide 79 pulgadas por 64 \u00bd pulgadas.<\/p>\n\n\n\n

La pintura es el homenaje de Rivera a las costumbres y tradiciones de Tehuantepec, Oaxaca, en el sur de M\u00e9xico. Infundi\u00f3 en la pintura naranjas, rosas y verdes intensos que recuerdan a la tierra que Rivera estaba celebrando.<\/p>\n\n\n\n

Lee m\u00e1s:<\/strong> Estos tres artistas mexicanos son conocidos como ‘Los tres grandes’ del muralismo<\/a><\/p>\n\n\n\n

Siguiendo el recorrido de Baile en Tehuantepec<\/em><\/h2>\n\n\n\n

En 1930, Baile en Tehuantepec<\/em> se exhibi\u00f3 por primera vez en Estados Unidos en Metropolitan Museum of Art (MoMA) y en 1931 fue incluido como parte de la retrospectiva de Diego Rivera en MoMA. Con el tiempo, se convirti\u00f3 en la obra m\u00e1s cara del arte de Am\u00e9rica Latina.<\/p>\n\n\n\n

Curiosamente, 1928 fue el a\u00f1o en el que Rivera conoci\u00f3 a la c\u00e9lebre pintora mexicana Frida Kahlo (a quien le encantaba vestirse como una mujer oaxaque\u00f1a) y se cas\u00f3 con ella un a\u00f1o despu\u00e9s.<\/p>\n\n\n\n

Pint\u00f3 Baile en Tehuantepec<\/em> durante una \u00e9poca de gran creatividad, cuando la atenci\u00f3n de Rivera se centraba en la regi\u00f3n de Oaxaca. Desde 1920 dedic\u00f3 una docena o m\u00e1s de cuadros a escenas t\u00edpicas del Istmo de Tehuantepec.<\/p>\n\n\n\n

Rivera dijo que su misi\u00f3n era que sus pinturas reflejaran \u201cla vida social de M\u00e9xico tal como yo la vi y a trav\u00e9s de mi visi\u00f3n de la verdad mostrar a las masas el contorno del futuro\u201d<\/a>.<\/p>\n\n\n\n

La belleza est\u00e1 en el detalle<\/h2>\n\n\n\n

Baile en Tehuantepec<\/em> muestra a seis bailarines principales, todos descalzos, listos para comenzar a bailar La Zandunga<\/em>, al frente de la pintura. Rivera pint\u00f3 a las tres bailarinas oaxaque\u00f1as con huipiles bordados, una t\u00fanica tradicional sin mangas y faldas rabonas con un volante plisado en la parte inferior. Su cabello est\u00e1 trenzado y entrelazado con cintas de seda rojas.<\/p>\n\n\n\n

Una de las mujeres lleva puesto un collar tradicional, que suele llevarse en ocasiones especiales. Todas las mujeres sostienen un lado de la falda en preparaci\u00f3n para empezar el baile. Los tres bailarines varones van vestidos con pantalones de algod\u00f3n blanco, generalmente doblados por delante y sujetos con un cintur\u00f3n en forma de faja, una camisa blanca y un sombrero ancho.<\/p>\n\n\n\n

Tanto los bailarines como las bailarinas est\u00e1n inm\u00f3viles, casi r\u00edgidos, como si estuvieran esperando que alguien les diera permiso para comenzar la juerga.<\/p>\n\n\n\n

Este es un recordatorio de que el arte latinoamericano tambi\u00e9n es buscado<\/h2>\n\n\n\n

La pintura se vendi\u00f3 por primera vez a la se\u00f1ora de James Murphy, una coleccionista de Nueva York. En 1995, el urbanizador inmobiliario y coleccionista de arte argentino Eduardo Costantini se enamor\u00f3 del cuadro en una subasta en Sotheby’s<\/a> de Nueva York. Lamentablemente, hab\u00eda venido a la subasta a comprar Autorretrato con loro y chango<\/em><\/a> de Kahlo, por lo que no ten\u00eda suficiente dinero para ambos.<\/p>\n\n\n\n

Sin embargo, 21 a\u00f1os despu\u00e9s, lo compr\u00f3 por $15.7 millones, convirti\u00e9ndolo en la obra m\u00e1s cara de la historia del arte latinoamericano.<\/p>\n\n\n\n

Por Susanne Ram\u00edrez de Arellano<\/p>\n\n\n\n

Susanne Ram\u00edrez de Arellano es una escritora y cr\u00edtica cultural que antes fue periodista, productora de televisi\u00f3n y directora de informativos. Vive entre San Juan y Nueva York y actualmente est\u00e1 haciendo su primer intento de escribir una novela.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cr\u00e9dito: Nuestro Stories. El artista y muralista mexicano Diego Rivera pint\u00f3 el Baile en Tehuantepec original en 1928 como parte de su misi\u00f3n de \u201creproducir las im\u00e1genes puras y b\u00e1sicas de mi tierra\u201d. Es una de sus obras m\u00e1s conocidas. La pintura, el lienzo m\u00e1s grande que Rivera cre\u00f3 en su vida, muestra a bailarines […]<\/p>\n","protected":false},"author":16,"featured_media":10254,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1281],"tags":[],"class_list":["post-14648","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured-es"],"acf":[],"yoast_head":"\nDetr\u00e1s de "Baile en Tehuantepec" de Diego Rivera: un recordatorio de que el arte latinoamericano es extremadamente valioso - Nuestro Stories<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nuestrostories.com\/es\/2023\/01\/detras-de-baile-en-tehuantepec-de-diego-rivera-un-recordatorio-de-que-el-arte-latinoamericano-es-extremadamente-valioso\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Detr\u00e1s de "Baile en Tehuantepec" de Diego Rivera: un recordatorio de que el arte latinoamericano es extremadamente valioso - Nuestro Stories\" \/>\n<meta property=\"og:description\" content=\"Cr\u00e9dito: Nuestro Stories. El artista y muralista mexicano Diego Rivera pint\u00f3 el Baile en Tehuantepec original en 1928 como parte de su misi\u00f3n de \u201creproducir las im\u00e1genes puras y b\u00e1sicas de mi tierra\u201d. Es una de sus obras m\u00e1s conocidas. 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El artista y muralista mexicano Diego Rivera pint\u00f3 el Baile en Tehuantepec original en 1928 como parte de su misi\u00f3n de \u201creproducir las im\u00e1genes puras y b\u00e1sicas de mi tierra\u201d. Es una de sus obras m\u00e1s conocidas. 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